05 / The Studio

← STUDENTS

PROPORTION + SCALE

Comparing the size of parts, objects and the space around them.

What is it?

Proportion and scale both compare size, but they compare different things.

Proportion

Proportion compares the size of one part with another part or with the whole.

part ↔ part

part ↔ whole

Scale

Scale compares the size of something with another object, the space around it or the viewer.

object ↔ object

object ↔ space

object ↔ viewer

TODAY’S FOCUS

Compare relationships of size and notice what changes.

Look

COMPARE BEFORE YOU DRAW

How big is it compared with something else?

Before drawing a part, compare it with another part. Ask:

How wide is the object compared with its height?

Where is the halfway point?

How large is one part compared with another?

LOOK FOR RELATIONSHIPS BEFORE DRAWING DETAILS.

A cream stoneware mug and a smaller dark stoneware bowl standing side by side on a worn wooden table against a plain grey wall, with faint hand-drawn graphite comparison marks in the air around them.
MUG + BOWL
Studio exercise.

Try

MEASURE BY COMPARISON

STUDIO METHOD

Measure what you actually see.

Place a simple object in front of you.

Hold a pencil vertically at arm’s length and close one eye. Use your thumb to mark the height of the object on the pencil.

Compare that height with its width. Is it twice as high as it is wide? Almost equal? Somewhere between?

Make a quick drawing from that relationship.

Check it again.

CHECK

Compare the drawing with the object.

Which relationship is closest?

Where did you make something:

  • too long
  • too short
  • too wide
  • too narrow

Adjust it. Look again.

COMPARE → DRAW → CHECK → ADJUST

A woman seated at a scratched wooden studio table holds a pencil vertically at arm's length, thumb on the pencil, comparing it with a plain white mug on the table in front of her. An open sketchbook lies beside her.
01 / MEASURE BY COMPARISON
Studio demonstration.

WATCH

How To Draw With Sighting / Drawsh Studio

Materials

  • SurfaceSketchbook or drawing paper
  • DrawingGraphite pencil
  • MeasureYour pencil
  • SubjectA simple object or person
  • OptionalEraser
You can use the drawing tool in your hand to help compare what you see.

Material encounter

USE ONE PART TO CHECK ANOTHER

Choose one part of what you are looking at.

Use it as your measuring unit.

Compare another part with it.

HOW MANY TIMES DOES ONE FIT INTO THE OTHER?

Try the comparison again before you draw.

An open landscape sketchbook of graphite studies: a large mug drawn with height and width guide lines, a bowl drawn beside it with its own guide lines, and a column of smaller repeated mug and bowl studies at the right.
COMPARING PARTS
Studio exercise.

Understand

PROPORTION

Proportion is about relationships between parts.

Using a unit

A part of the subject can become a unit for comparing the whole. In figure drawing, the head is often used this way.

In figure drawing, an adult figure is often represented using a guide of approximately 7½–8 head lengths.

THE GUIDE IS ONLY A STARTING POINT. MEASURE THE PERSON IN FRONT OF YOU.

7½–8 HEADS

Using a unit. Studio diagram.

An open sketchbook on a wooden table showing a graphite drawing of a mug with a vertical height guide line at the left, a horizontal width guide line beneath and a dashed midpoint line drawn across the form.
HEIGHT + WIDTH
Studio diagram.

Make

OBSERVATIONAL PROPORTION

Draw through comparison.

Work from life. Use yourself in a mirror or another person in front of you.

Begin with the large relationships:

  1. overall height and width
  2. midpoint
  3. largest shapes
  4. size of one part compared with another
  5. placement of the figure on the page

Draw, compare and check as you work.

A finished anatomical drawing is not the aim. The focus is judging relationships of size.

  1. 01 / Look

    Look at the whole figure.

  2. 02 / Compare

    Compare height with width.

  3. 03 / Midpoint

    Find the midpoint.

  4. 04 / Unit

    Choose one part as a measuring unit.

  5. 05 / Measure

    Compare another part with it.

  6. 06 / Draw

    Draw the large shapes.

  7. 07 / Check

    Check the drawing against the person.

  8. 08 / Adjust

    Adjust what you notice.

COMPARE → DRAW → CHECK → ADJUST

An open sketchbook on a worn wooden bench. On the left page, a pencil study of a standing figure with visible construction lines, a vertical centre line and a horizontal midpoint line drawn across the page.
02 / OBSERVATIONAL PROPORTION
Studio exercise.

Now change the scale

KEEP THE PROPORTIONS THE SAME. CHANGE THE SIZE RELATIONSHIP.

WHAT TELLS YOU THE SCALE?

Jean Honoré Fragonard, A Shaded Avenue, ca. 1775. Oil on wood: very large arching trees form a shaded tunnel over a path, with small figures walking and sitting beneath them.
Jean Honoré Fragonard, French, 1732–1806. A Shaded Avenue, ca. 1775. Oil on wood. The Metropolitan Museum of Art, The Jules Bache Collection, 1949. Public domain. Museum object page →

Look at the trees.

How large do they appear compared with the figures and the space around them?

What are you using to judge their size?

ONE CUP, THREE SCALES

01 / SMALL

01 / Small

The cup is very small in relation to a room.

02 / EXPECTED

02 / Expected

The cup appears an ordinary size on a table.

03 / ENORMOUS

03 / Enormous

The cup is extremely large beside a person.

THE CUP KEEPS THE SAME PROPORTIONS. ITS SCALE CHANGES.

What changes when the cup becomes much smaller or larger than you expect?

CHANGE THE SCALE

Choose one ordinary object: a shoe, cup, key, pencil, chair, plant or spoon.

Draw it three times. Keep its proportions the same.

Change its size in relation to:

  • the page
  • another object
  • a person or the space around it

01 SMALL → 02 EXPECTED → 03 ENORMOUS

Compare the three drawings.

What changes when the object becomes very small or very large?

Look again

COMPARE + CHANGE

Where did comparison help you correct a proportion?

What did measuring make you notice?

When you changed the scale, what changed about the way the object was experienced?

PROPORTION COMPARES PARTS.
SCALE COMPARES ONE THING WITH SOMETHING ELSE.

In practice

Art Creative Practice

Artists can observe proportion closely or deliberately change scale. Changing scale can affect how a subject is experienced.

Art Making + Exhibiting

The size of an artwork and its relationship to the viewer or exhibition space can affect how the work is experienced.

Visual Communication Design

Designers use proportion and scale when representing objects and considering how objects, environments and other designs relate to people and their surroundings.

Creative thinking

Notice

What size relationship did you notice only after measuring?

Compare

What changed when you changed the scale?

Document

Keep one comparison that helped you adjust your work.

← CREATIVE THINKING TOOLKIT

Tools to help you notice, describe, question, develop and document your work.


Curriculum + reading

Greenwood, D. (2023). Art creative practice: VCE units 1–4. Cambridge University Press & Assessment.

Guthrie, K. (2017). Nelson visual communication design: VCE units 1–4 (4th ed.). Cengage Learning Australia.

Victorian Curriculum and Assessment Authority. (2022). VCE Art Creative Practice study design 2023–2027. vcaa.vic.edu.au ↗

Victorian Curriculum and Assessment Authority. (2022). VCE Art Making and Exhibiting study design 2023–2027. vcaa.vic.edu.au ↗

Victorian Curriculum and Assessment Authority. (2023). VCE Visual Communication Design study design 2024–2028. vcaa.vic.edu.au ↗

Artists + artworks

Fragonard, J. H. (ca. 1775). A shaded avenue [Oil on wood]. The Metropolitan Museum of Art, The Jules Bache Collection, New York, NY, United States. Public domain. metmuseum.org ↗

Studio material

MUG + BOWL.

Measure by Comparison.

COMPARING PARTS.

Using a Unit.

HEIGHT + WIDTH.

Observational Proportion.

One Cup, Three Scales.

Visual material: Studio work, 2026.